attention - triple album for the price of a double! mothership tranmsission 019 – >voodeux - the paranormal<
two years ago, on the east coast of america, a couple of highly technical production wizards joined forces and created their own genre of strange and creepy techno under the moniker, voodeux. one from boston and the other from philadelphia, tanner ross and james watts first released >the curse< ep on mothership in 2008 with great success. with dj support rolling in from everywhere claude vonstroke soon commissioned them to record a full-length album of this new moody sound. voodeuxs debut album, >the paranormal< is a concentrated vision of myth and mysterious beats, exploring the eerie after-life side of techno like no other artists have done to date. it is a vision of ghosts and goblins hiding in the closet ready to scare the daylights out of you. using dark funk, ghoulish atmospheres and futuristic production, voodeux is staking their claim as the next generation of american techno and >the paranormal< is a techno masterwork for the modern underworld.

william (theodore) burnett aka speculator started his own diy record label and came up with this stunning piece of vinyl.. two shit hot tracks on a split release from $tinkworx and kinoeye. what a killer 12! the sharkman brings us a deeep techno track with moody piano lines, drexciyan athmosphere and a shit load of depth. typical $tinky material that seems to go deeper and deeper over 10+ intense minutes. then.. we have the flip side by kinoeye (aka datahata) with a shockingly dirty techno house cut.. a deep dirty groove and repetitive vocals that pull you even deeper then where the a side ended. absolute killer tracks here on this nice obscure new imprint from brooklyn. we love it!!

this is the first ep from claude vonstrokes new album due out october, 2009. it represents the deeper, moodier shades of the full-length project. the lead track, >aundy< is featured prominently as the closing music for claudes epic fabric 46 mix to be released on the same day as this vinyl. it is also a homage to the 90s drum bass sound of people like ltj bukem and good lookin records. on the flip, >storm on lake saint claire< is a vibing summer track that builds and sways with cascading melodies raining down on your ears. it is a perfect building block for bridging the gap between moody house and big room thunder.

who the hell are bleep district i hear you ask? well for those of you who havent heard their awsome debut on replay records they are matt powell a founding dj of the legendary quadrant soundsystem and the inappropriately nicknamed matt rhythm who rumour has it spends his spare time pressing random buttons as one half of deep house anti-heroes rhythm plate. coming straight out of leftfield, bleep district have exploded onto the deep house scene like a musical gas leak. their quirky, chunky, dancefloor orientated beats causing serious damage on dancefloors and working mens clubs around the counrty. these two devout christians and still practising altar boys have decided to continue the religious theme of the bleep of faith ep on the highly respected winding road and titled their debut for ornate music… end days ep. revelations (rapture rub) kicks of the ep with a clearly deluded shaun ryderesque gentleman professing his faith over a big moody analogue bass and detroit style stabs on a track that would make the staunchest non believers begging for absolution! and on revelations (pillar of salt dub) they take things nice and deep for those more reflective moments in the evening.

a welcome return for dave lees better days records who present yet another masterclass in disco roots & re edits. 4 killer cuts this time taking inspiration from daves locked in the vinyl cellar compilation. a1. a rousing string filled disco anthem that garage fans may. a2. this super dubby percussive workout is like a more calypso version of the disco favourite modern sound corperation safari.. big for the likes of dimitri from paris and idjuts boys. b1. big stringy, uptempo soulful disco with long breaks and killer vibes solo. b2. a moody electro boogie inst with loads of space fx and dubbed out breakdowns û the sort of thing that metro area would play

smokestack is all about paolos darker side. intense, minimalist and moody, the game plan here is all about matching understated energy with a compelling hypnotic aura to create a powerful peak-time tech stormer. booming beats, abrasive bass-licks and a wigged out flickering riff create the required mood before explosions of harmonic echoing keys provide the moment in the break. swiss producer michal ho, best known for his work with berlins tuning spork label has been selected to provide the rework

it may have been fate that erphun s very first gig was on halloween, because his music is brooding, pounding, moody and transformative, as if from another realm entirely. his ability to build a mood is mesmerizing and transports the listener to that alternate spiritual level that his moniker infers. having spun around california with residencies for naked, flirt and hotel california and playing at 1015 folsom (san francisco), sevilla (las vegas), broadway (san diego), voodoo lounge (las vegas), risqu (las vegas, new year s eve 2004), and the shelbourne hotel (miami, winter music conference), erphun began to make his mark. erphun s music has been spun in clubs all over the world and is succinctly summed up by steve lawler as a deep, dark and underground unique sound that trademarks his pieces. with early releases on ingrooves, and ascension records followed by releases on viva music oliver klein s mutekki and audio therapy, his name is now instantly recognizable among the tech-house, minimal, techno world of spinning producers who globe trot his compositions to be dropped on every conceivable audience. the reaction of the listener to his slow, driving builds that weave between the almost symphonic-like movements of each of his pieces is always jaw dropping and is usually followed by an exclamatory siiiiiick! . erphun is also a highly sought after re-mixer for artists who want to hear the 4am version of their pieces. the only way to really experience this immense talent is to see him in action. a night of erphun s making heightens the listener s musical aesthetic and aurally illustrates his personal musical vision

moody house music with a sexy touch, made by laurent collat aka elegia for f-com in 2003.

after being influenced by mix-tapes of artists such as richie hawtin, dustin began writing music purely for fun. shortly after, dustin met future-partner ian lehman, who was established in the mid-west rave scene. ian explained to him that music similar to his was played at parties called raves. ian invited him to one of his shows and dustin took his offer to see what he was talking about. after being exposed to just one party, dustin knew this was his future. dustin started doing a live pa at various local parties and quickly became a favorite. after a year, dustin stepped up to the decks and won just as much respect as he did with his productions. in early 2001, dustin and ian both agreed to take things to the next level. they put a halt on bookings and concentrated on the studio. a year later their work had emerged onto vinyl and all over the internet, creating a serious buzz. abiotic was born, and the duo formed the attack people. a few words can easily describe dustin zahnÆs style: moody, tribal, dark, and hypnotic. since dustin co-founded abiotic recordings with ian lehman in 2001, heÆs finished projects for labels such as livewire records (detroit), analytic trail (italy) and invasion (belgium). his tracks have been received support from techno producers such as redhead, adam beyer, danilo vigorito, tim xavier, ben sims, chris liebing, dave clarke, umek

incl. hermanez moody rmx

played by: gregor tresher, karotte, nick curly, alex flitsch, geddesà for the first time we are very proud to present the first release by supernatures very own audiofly. this very special, limited one-sided vinyl release is but a forerunner to a full ep due this spring 2009. >sweeter than< is anthony and luca at their genre-defying best and worthy of their considerable reputations. dark but uplifting, moody and groovy at the same time, we think youll like this a lot. following the huge success of >space 1999< on nick curlys 8 bit records recently audiofly are perfectly set up to grace 2009 in style.

nice price deal !!! this second outing in the series of special remix 12s from lee perrys the mighty upsetter album finds tony moody boyz thorpe back at the controls, and this time hes brought his full kit of soundsystem tools along to the job. rocking the spot on an uptempo steppers rhythm, his fired up take on international broadcaster is a tight sprung burst of bogle energy, laying righteous claim to the ground where dancehalls brash excitement meets dubsteps plunging bass dynamics. awash with selectah sounds and mile long reverb delays swirling around a monster sub-bass undertow, an insistent funkin for jamaica beat drives the ride while a slick sing jay hook from lsk rotates to habit forming effect. with the added attraction of mr scratch and mr manuva doubling on abstract deejay instructions ? adjust your face... adjust your waist - the propulsive five minute sunsplash of international broadcaster will kick up dust in every yard where they do the reggae clap. no vocal version excursion on the backside ups the needles to red on the dubwise meter for extra soundboy satisfaction.

bongard problems is classic cornish influenced breakbeat techno with squidgy roland bass and 8 bit dirt percussion. motion studies is a swingy non linear acid disco trip with moody chord backdrops and some unexpected twists and turns along the way. pixel wrap is medieval echo techno with inhuman voices that give way to a late 80s rave breakdown that builds up into something else again. excalibur is a camelot techno galloper, complete with arthurian lyrics. blank expanse is the kind of music depeche mode ought to be making if they hadnt turned into u2.

fantastic hybrid of deep groovy electronic rhythms and moody detroit-eque vibes from and for the underground

asd008 sees the return of alex krueger and a welcome one at that! this oneÆs 5 tracks deep (including a digital exclusive) and includes a pair of fine remixes from londoner-in-berlin, mark henning, ôblasted bitchö is tigerskin at his best. the title cut is a feast of sonic trickery, with sounds playing off each other beautifully to create a wide, dense soundscape which, paired with clipped percussion, clever dancefloor arrangement, evil laugh & crude vocal sample this one delivers tough. henning, a man known for his abilities with sound design himself, takes a darker route with his interpretation which, while still driving, is more of a heads down late night affair û riddled with oddball delays and some unnerving vox efx. ôwhat theö takes a turn to the darkside, moody, sharp, reveb laden and pulsing, the track is real heavy business watch out for that unholy belgian hardcore synth riff a la ômentasmö, thereÆs a real æmomentÆ in there. to round off the original cuts. responseö continues seeing tigerskin provide a straighter groove but one which displays some sterling keyboard work and strong break. finally, henning provides another remix of the title track as the digital only addition all too important these days. futuristic deep, tech-house is about as close as a description anyone needs for this superb final piece of an equally superb package.

heres one of the jewels in the vvwi crown - a dark, smoky collaboration between tim sheridan and king roc described by sebo k as >great. very unique<. its a moody diversion from the european sound thats been a hit from tims birthday gig at dc10 to king rocs recent fifteen-gig stint in brazil, including the nye party on pratigi beach he called >one of the gigs of my life<. and now it comes with two new remixes - a more techno king roc rereub and a bouncier retake by vvwi stalwart andre crom...

after a string of fantastic releases on the much missed label scheinselbstaendig and force tracks, hamburg s best hidden talent drei farben house debuts on brut! on the a side, on my side (daso remix) comes in the form of an energetic remix by the excellent daso. following from his successful release on connaisseur, daso adventures himself again on techno terrains turning the lighthearted original into a moody dancefloor track. on the b side, drei farben house does what he knows best: to provide us with a delicate balance of minimal house and pop sensibilities. the original of on my side comes in a more uplifting way bringing us the brighter moments of the windy autumn days and nightly affairs finishes the whole in a more dramatic manner, full of emotional strings and deep chords. drama queens now is your turn to dance! de:bug loves it

carl sagan back on go!freitag with another nice shuffled piece of techno. while his own mix fits more the little bit moody, groovy samstag-side, alex bau again delivers a remix for mr. sagan for the more edgy technofreitag

we are going to spoil you with one of the best wmc samplers to date with a selection of pumpin, jackin, techin, electroin, housin tracks. all unreleased and ready to invade floors all over.

cosmo anarchy vol.2 goes a little darker. two tracks with strong atmosphere still very funky and 1 sweet old school house track on the a2 make this ep very special. a mood in between daniel bell and christian vogel. for the a1 we have for the first time on the label a strong dubstep track! great dj tool. as for the b side it?s freaky funky techno, a dark and soulful dancefloor track! s-max comes back on telegraph with cosmo anarchy presented in 2 singles released in a row. each single is moody and souful - 3 minimal-funk tracks with killer groove! s-max productions differ between house (moodymann/ jovonn/ nugroove), minimal (dbx/ todd sines), crispy+funky (herbert/ ark/ perlon/ akufen/ morgan geist) and funky techno (christian vogel, tobias schmidt, neil landstrumm, claude young). generally influenced by classic detroit/ chicago/ early warp and the whole brighton- stuff.

sold out !! another headscratcher & floorthumper. >moody< makes his move with 5 tracks ranging from jazz to house and many stops in between... heavyweight

along with number 60 in the highgrade catalogue there‘s a new producer team, joining the highgrade posse: markus schatz who scored so far with releases together with tom clark for highgrade and by himself on labels like opossum and freizeitglauben. he worked out this release with brett longman from paris, known from one of france‘s most prolific labels logistic rec. with „dope on plastic“ both start a dub and percussion rollercoaster- ride: the stripped down structure in the beginning unfolds seamlessly to a wildly grooving dub-inferno. similarly funky „push it“ continues this direction: dodgy fm-sounds meet weird synth bleeps plus a whole load of rhythm - the trackname is to be taken literally here! on the flip-side schatz & longman in „running“ are adding some fine dubby ingredients to there rhythm patterns, next exit detroit, one might say. moody without being cheesy, that‘s how we like it. „good vibes“ is zigzagging elegantly, with deep pulsating melodies worked together with an uplifting groove to a fast-paced and atmospheric track.

the 3rd gecko release, made in 1999, comes again from andy bowman. he delivers functional & floating techno with subtle vocals and hovering sounds, that create a moody, soulful and yet pushing atmosphere.

tommy four seven remix) limited to 300 copies green transparant vinyl ! exploring more deeper and abstract paths with cold feet, a moody wintersong revolving around desolate ambient soundscapes, glitchy rythms and a catchy hook ..

the westbay family spreads its musical wings on the fifth release for their international label. signing up renegade hardware front man, loxy, whos teamed up with one of hungarys finest exports, matt u, to create a full on modern jungle smacker! jumanji is all about the tribal beats and incessant bassline that grabs you by the balls and doesnt let go. on the flip matt u goes solo with charger, full of moody breakbeat pressure that adds another flavour to the westbay palette.

the first volume of the rebirth unreleased series. it includes exciting and hot material and unreleased mixes of the rebirth releases that received big reactions in the last few months: music from artists like ajello, lemon popsicle, melon, tensnake, in flagranti and lemos

mutant clan is the name of the new project from timo maas and santos. these boys have really come back with a bang, havent they? having been a fan of santos productions and sound, timo arranged for some studio time together, and the rest as they say.... >inside< is a real moody bitch. with its phat planetesq bassline (not a bad thing, im sure youll agree!), rolling drums and deep ass d base, its one hell of a groove. >outside < is definitely the older, more rebellious, troublesome brother: a darker affair that growls at you from its opening bars, sounds and efx thrown at you from out of darkness. it really is a wonderfully constructed track. once again, maas and santos (aka mutant clan) deliver the goods in the finest way possible and once again, dubfire and sci+tec bring you some of the finest techno around today. a true match made in heaven

highly succesful imprimt kumo is about to enlarge its scale of high quality music, this time with japanese long time and inside japan well known dj sodeyama together with a remix from mr. glimpse whos name is surely not unkown. this release is a perfect mixture of superb minimal techno (original) and slightly moody relaxed housy tunes (remix).

phat and blue moody reggae / house tune, b/w dub version

2nd ep with monotone tracks / soundscapes w/ moody soundtrack feel

bekeschus is a new project in eintakts artist portfolio. the brothers benjamin and sander present here their first release called >dieser moment<. this ep is a combination of moody electronic styles containing 4 tracks floating between deep, dub, and dirty. the songs connect modern music-to-the-floor with timeless sounds and arrangements that both touch inside and move forward. sound inspirations derive from numerous movements of pre and post millennium artificial sound scapes. especially, early club sessions in berlin since 2000 shaped the brothers view and interpretation of the input and output of electronic culture. >dieser moment< stands for an audiophile time document of their development, and at the same time awareness of >this moment<.in the year 2000 the brothers started to engage their selves in djing...

under the monikers abacus, a:xus, and charlie brown, he has produced for numerous imprints including balance/prescription, airtight, dnh records,83 west, fragile, nrk and guidance with which he released his first full length album entitled he is back in 2008 with a new a:xus single featuring the sweet vocals of graph nobel. pete heller turns a great piece of music into something even better. a strong deep, moody and soulful remix. a classic in the making

benoit franquet opens his catalogue with a beautiful but moody composition of progressive melodic layers. the way is enriched in distilled clarity, which flows effortlessly through stimulating arpeggios and cinematic envelopes, which despite their tranquil breathing and filtering, are aimed at the heart of the dance floor. pole folder?s continuous tight programmed drums both flutter and drive under sprinkles of inspiring atmospheres from start to finish!

big with : loco dice, luciano, sis, reboot !!! the release is the last of the masomenos live mix project... and close the serie of 8 eps that were released for this... a sided les 3 petits cochons is a real dancefloor tune, heavy and funky, as in the tale, you can feel the wolf blowing and the little pigs running... on b side, loco is an old - school sound track, deep and moody, with some crazy vocal asking for some bass... b2 , turtle is back, is a dubby re-do of one of the first masomenos production...turtle trip... same mood, heavier groove....slowly but surely the melody gets in your head to mesmerise you...

time to look busy again, as function aka dave sumner comes rampaging through the streets of downtown berlin, kicking aside lesser producers and mauling all who stand in his way. not that you would know it from the supremely controlled affair that is his edit of >variance<. moody in the extreme, this edit sees beautiful interplay between delays and reverbs but without the track sinking into the predictable mire of dub techno. space is indeed the place..

claque musique present their fifth release, which is a technoid gem from hugo (already responsible for the brilliant third 12 inch on the label, entitled born to bop) called strobo revenge. another zany electronic bullet that is destined to cause mayhem on dancefloors worldwide! on the a side, jumping beats, vocal mirages and compressed synths create the groove on the original mix of the title track. a fizzing bassline and echoing whistles enter later on and they give the track a slice of claque musique zaniness. a2, prismatic visual, is a powerful floor filler, which is slightly less crazy then its musical partner. hugo uses dependable percussion, watery synth action and inviting vocals to create this musical treat. on the flip side, carola pisaturo brings us a moody version of strobo revenge that squeezes something else out of those whistles. she employs heads down percussion, vocal shards and smooth synths on her version. portable/bodycode heightens the intensity with a jackin rerub that sends the track in another direction completely. marching beats, acidic synths and hollow bass drops work wonders on abrahams revision

limited to 300 red coloured copies. giorgos gatzigristos kicks off with 2 crunchy techno stompers. ultradark, moody and bass heavy. dj support from:miss kittin, lauren garnier, len faki, sasha, nick warren, mauro picotto, agoria, hernan cattaneo and many others!

heavenly bossa jazz on the cover version of send in the clowns with a great line up include the fantastic trombone player: roberto rossi, also moody version of the bobby mc ferrin classic jubilee with a very interesting brazilian breaks in the middle of the song, both the track supervised by dario rosciglione and guido pistocchi.

in 2008 tr-one released urban promise ep on nice & nasty. from this ep tr-one further released remixes of their seminal dark techno cut >detroit after dark< and now mystery train has been remixed by ireland’s leading light of deep, moody techno lerosa and tycho’s comet aka neil maguire from uk. this is a perfect follow up to the inner thoughts ep

its been a while since the last release by mark august on connaisseur, but now hes back with an extraordinary one. two tracks, both like a fairytale of a country far, far away. a fable, with mystic and mysterious animals and creatures, might best describe what mark had in mind while working on the tracks. the wasps from tunisia and the silver piggy – the main track on this release is an uncommon piece of music. it starts moody and with a stoic pumping beat, yet also a somehow laidback feeling. it then unexpectedly and surprisingly builds up to a monster of a track, working manically towards its climax. then however, over the length of the track, it completely transforms again, coming back to its beginning, as though nothing had ever happened. scorpions groove is a deep and dubby affaire.

fusing some weird italo-ish vibes together with some unmistakenly drexciyan influences this is a pretty unique release on rh! concepts often bring interesting results and this is no exception.. i think its going to be a real >love it or hate it< record. yurotrago take the track somewhere completely different, stretching it out on a different kind of vision. awesome deep and moody action for the floor. the packaging is awesome for this one

one of the finest deepest tearjearking jams ever to come from the brains of the legendary american producer stinkworx! coelacanth is a piece-de-resistance of soulfull technoblues where moody synth riffs play over an irresistable funk baseline. on the other side we find the track amira another huge deep detroit techno jam where basic channel-esque chords evaporate over a sauce of delicate electronics. two beautifull tracks with which stinkworx continues the great american techno legacy. to finish everything off there is a syncom data remix of the track coelacanth where the baseline is squeezed out to the max!

coyote return with a 4 track ep featuring the remix power of the mighty windsurf. >single handed< is a melodic uptempo percussion led groove, pianos and lush strings combine to uplifting effect whist still maintaining the balearic/dub vibe. >mongolia< is a more moody affair, a slo-mo voodoo trance stomp that takes you to the darker side of the balearic beat. >lay back< is a caribbean beach boogie featuring all the usual coyote elements, a slice of sunshine for the winter. windsurf step up to remix lay back to create a beautiful slice of pacifica, keeping up the high standard of remixing that is it balearic is becoming known for. the revolution continues… coyote back doing what they do best is it balearic…?-oh yeah

>hazy bliss< an attempt to bring the joy and soul of early house to the 21st century, featuring the lovely vocals of sunni. >jefferson ave. 1989< a homage to detroit’s summer of love, harkening back to carefree days riding with friends and dancing the night away. >m.i. quickie< mister x’s tribute to the music institute, where he and dj bone’s love of dance music was crystallized into obsession. >because< something old becomes something new as pieces from various genres and time periods combine into something truly unique.. and only possible by mister x >cum 4 u (cum 4 me)< a taste of mister xs philosophy of psychosexual hyper-reality, where every sense is entertained and simultaneously stimulated. >loveclub quickie< a tribute to the infamous and hedonistic loveclub-dj bones first residency in detroit. >meltdown< a little dose of moody aural sex from mister x designed to stimulate both mind and body.

incl superchumbo, chris moody & marcelo oleas, lex da funk and dj ruggero leon vamonos remixes

the into the night ep is a wonderful deep, slow & moving record that should be one of the highlights in this years autumn sessions. into the night kicks off with some wild pitch – alike chords and builds up soulful, moody but strong. tectonic move is so damn groovy and might be one the funkiest trax ever coming out of the metaworld universe of matt flores. also the tempo of almost 120 bpm is sexy as hell... all percussions & the bass are played live by matt flores. “tectonic move” also features some extatic detroitish synths that makes you scream. a definitive winner! the tectonic move flores & saenger dub has been rearranged a bit by matt flores and farsides ingo saenger (one half of westpark unit). they stripped the tune, put more focus on the groove and re dubbed all harmonies & synths. the result is a funky smokers riddim for all you dubby tool headz out there.

laurent garnier: >will play the hell out of this<, nick warren: >spectrum is great moody techno<, further support by: dubfire , slam, oliver klein, alex attias, danny tenaglia, butch, hernan cattaneo, phonogenic, florian meindl,.. plusminus recordings is a young label run by jürgen driessen. after having directed important records waaaayy back in the days and mutekki together with oliver klein since 1999, plusminus is the first very own imprint of jürgen, to completely realize himself with a personal label playground. being an experienced producer of the very first hour, he will have an eye on promising new talents and an ear for fresh sounding productions. stylistically the label ranges plusminus in the fields of techno…

over the last 4 years mouseville has seen eric prydz (under his cirez d moniker) deliver some truly landmark moments in music with tracks such as knockout and control freak really setting the bench mark for others to follow. here we have an equally devastating track only this time produced by paulo mojo and jim rivers - two producers whos starts have been very much on the rise over the last couple of years with both of them having produced killer tracks for labelks such as oosh, misfit and saw. the track is an absolute killer - a driving groover with its catchy vocal refrains, sharp drums and funky bassline. on the flip the eric prydz remix turns the original on its head with deep chords and pads creating a very moody yet powerful reinterpretation. big support from eric prydz, sebastian leger, john digweed, paulo mojo and steve angello

donato dozzy delivers a deep and moody a-side track, while the flip is more percussive and funky minimal stuff